THE JOURNAL FOR ARTISTIC RESEARCH
The Journal for Artistic Research (JAR) is an international, peer-reviewed, open-access journal that supports the field of artistic research by publishing original, practice-based work. JAR provides a digital platform where artistic processes, methods, and outcomes can be shared in a dynamic multimedia format, integrating text, images, audio, and video. Rather than separating theory from practice, JAR invites contributions that explore how artistic inquiry itself generates knowledge and insight. JAR fosters dialogue across disciplines and encourages innovation in how research is communicated. Published by the Society for Artistic Research (SAR), JAR supports artists, researchers, and institutions worldwide in developing and disseminating new ways of thinking through artistic practice.
THE JOURNAL
JAR is an international, online, Open Access and peer-reviewed journal run by SAR. It serves as a meeting point of diverse practices and methodologies in a field that has become a worldwide movement with many local activities.
ARTISTIC RESEARCH
Is viewed as a developing field where research and art are positioned as mutually influential. Recognising that the field is ever developing and expanding, JAR remains open to continued re-articulations of its publishing criteria.
PURPOSE
Disseminating artistic research from all disciplines on a digital platform where multiple methods, media and articulations may function together to generate insights in artistic research endeavours.
OPEN CALLS
Annually JAR has three submission deadlines: 31 January, 31 May and the 30 September. All submissions published in the journal are peer-reviewed. JAR invites submissions from all fields and disciplines in which artistic research may be relevant, including areas that are not usually conceived of as artistic.
CURRENT ISSUE
ISSUE 35
This issue presents five expositions that examine themes such as collective identity, translation as meaning-making, embodied temporality through dance improvisation, multimodal mediated performance, and the picturesque gaze and reenactment. The contributions explore a wide spectrum of methodologies and formats, including performance, voice, improvisation, music, motion capture, and re-enactment.
READ JAR ISSUE 35
